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Posts Tagged ‘arts and crafts’

The news is full of tragedy.  Sometimes, it’s easy to forget it exists.  We wrap ourselves in cocoons of modern comfort, alternative realities, and a seemingly never-ending lists of things to do.    It can be easy to take comfort in the forest, the river, the garden and let the rest of the world fall away.  I can see the value and truth in Buddhist thought – that attachments lead to pain.  The things we own sometimes bring us grief because they cost money and energy to maintain.  Our friendships, while often joyful, can be complicated by disagreements.  And our families – oh, our families…  Despite our love for them, despite the happiness that often comes with family, and despite the comforts –  family brings a whole list of cons.  Your fortunes are bound, you must learn to live together despite dispute or a difference in perspective, and you constantly worry. So much of that worry is concerned with the tragedies of the world and a hope that they don’t visit your little tribe.

Tragedy was a distant concept for me when I was little. With such matters, we really do seem to come into the world tabula rasa.  I don’t really know how I learned about it.  It probably started with the death of my goldfish at five, but I don’t really know.  My mother nearly died giving birth to my sister a few years before that, but I don’t recall knowing that until much later.  I was probably in bed when news of genocide across the pond aired on the news.  ”Stranger danger” was probably the biggest hint that the world was not the safest place.  One thing I do remember is my parents often saying that I would understand their worry when I grew up and had children of my own.

Now here I am, in my third trimester, carrying my first child.  So much has happened in the world since this little one was conceived.  There were shootings in malls and schools.  There have been riots, civil wars, and terror in the Middle East.  There was a terrible, deadly gang rape in India.  Starving and dead seals have been washing up on the west coast.  Natural disasters.  Nuclear threats.  Explosions.  My goodness!

Yet I suppose it’s always been that way.  When our ancestors had little contact with the rest of the world, awful things still happened each day.  There were invasions, pillaging, raping, plague,  high infant death rates…  and always some mystical other in the woods.  Goblins.  Witches.  Boggies.  Fairies.  The world has always been threatening.

Despite the worry and the realities of danger, people keep having babies!  Biological impulse aside, a part of me has decided that we do this out of hope. We hope we can raise a decent human being who will not contribute to tragedy.  We hope he or she will rise above difficult situations and perhaps make the world a better, more peaceful place.

Hope.

In Greek mythology, when Pandora opened the box full of tragedy, it’s said the last “spirit” to emerge was Hope.  Like the fire from Prometheus, it is a blessing that gives humanity comfort amidst the greatest darkness.

I’ve been doing a lot of sewing for babies recently – for my child and my niece who is also on the way!  When I sit with needle and thread, I consciously put love and hope into what I make.

There will be difficulties, little ones, but I hope the tribe can give you the comfort and safety you need, and that you can meet your own challenges with grace, wisdom, and strength.

Live and be happy, beloved children of my heart, and never forget that, until the day comes when God will deign to reveal the future to man, all human wisdom is contained in these words: Wait and hope!

The Count of Monte Cristo by Alexandre Dumas

A play blanket I made for my niece featuring heart-shaped lily pads. My applique technique is improving, but I still have a long way to go. Again, interfacing might have helped… Photo by Grey Catsidhe, 2013.

A fun cupcake baby bonnet I made for my niece. Photo by Grey Catsidhe, 2013

A froggy jacket and matching bib I made for my little one. Photo by Grey Catsidhe, 2013.

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I seem to go through a cycle of three settings – study, experience, and lazy bum.  Occasionally the study and experience join forces and I truly feel like I’m living the path of a Druid, balancing the two in a beautiful dance of books, meditations, walks in the forest, and discussion groups.  Recently, I’ve been going through one of those rare periods which is exciting.  Having Northern Rivers Protogrove so close to home definitely helps.  It motivates me to continue my studies, organize opportunities for others to learn and grow, and insists that I keep practicing so that I can live up to the work I’m trying to do.

Spring break helped too.  It’s amazing what I was able to get done…  For example, my Liturgy 1 essay for the Naturalist Guild study program was approved after a couple revisions.  I’m very proud of the work I did on that essay!  I may share it eventually, but I’m waiting for the same essay to get reviewed for the Initiate and Generalist study programs.

I’ve also realized just how much I do on a weekly basis that can count towards some of my ADF study program essays.  Journaling about time in nature?  Why wasn’t I working on that sooner.  Hell, I might just go back through my blog and find the various entries I’ve done on such experiences to flesh it out.  Journal about a piece of art made for a grove?  Why didn’t I start that sooner?  Like when I made that altar cloth for Samhain!?  Record and reflect on divination I’ve done?  I could have finished the required amount of work for that essay long ago had I been journaling consistently!

I’m hoping I can keep this pace up for a bit.  I know that my priorities will be shifting very soon and a new setting will dominate my focus – mama.

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Starting out with some beautiful, brown organic eggs.  Photo by Grey Catsidhe, 2013.

Spring is inching towards us in the North Country.  It’s sometimes hard to believe given all the snow we’ve been getting this week.  Despite that, Northern Rivers Protogrove will be bundling up and huddling around a fire to bring in the new season later today!  Although the Spring Equinox is more of a modern Druidic holiday (most of what we do this time of year has grounding in Germanic, Christian, and Jewish tradition), and some more recon-oreinted folk skip it entirely, I find it hard to pass up the excuse to celebrate.  It’s been a long winter for us, and we’re ready to welcome spring!

Eggs are a huge part of my Spring celebrations.  They have been since childhood when mum helped us dye eggs for Easter.  Now that I’m expecting, I find myself looking forward to doing similar projects in a Pagan context.  Last year I struggled a bit with how to fit the egg symbolism into my Druidic take on the Spring Equinox.  This year it seems more natural, even without the lore of the “Druid Egg.”  Keep it simple, stupid – eggs have symbolized new life and rebirth for countless generations! So this modern Druid still likes to dye eggs in the spring.

Each year I say I want to use natural dye methods to color my eggs.  Each year I get lazy or forget to buy the ingredients.  This year I decided to try anyway!  The result wasn’t all that great, unfortunately.  This is due to my not having dark veggies, like beets or red cabbage.  Hubby and I work very hard to buy local eggs.  When we can’t get ahold of them, we go to the health food store and buy some organic, free range eggs*.  They’re almost always brown.  Occasionally we’ll get some local eggs that have a mixture of white, green, and brown, but not often.  Although there are plenty of websites out there that say dying brown eggs is possible, it is hard.

I decided to try using green tea.  I have a surplus of caffeinated tea I’m avoiding right now, so why not?  First, I used a white crayon to draw some designs in the eggs.  I added vinegar, hot water, then a few tea bags.  I left them in the fridge overnight and went to bed.

Success with the white wax! The dye? Eeeeh…. Photo by Grey Catsidhe, 2013.

The results were VERY subtle. So subtle that it was probably impossible for this novice to photograph.  The white swirls from the crayon look amazing but the much hoped for green hue was more of a slight yellow sheen over the already brown eggs.  It’s obvious that darker veggie matter is required for dying eggs – at least overnight.  Perhaps repeated and longer soakings in green tea would have had a greater impact, but meh**.  I caved and am currently redying them with a few drops of green food coloring from the cupboard.

I’ll try again next year!  And I will definitely add beets or red cabbage to my shopping list ahead of time.

* I hope and pray they really are that…

** I’m wondering what a dark tea, like Earl Grey, would have done…

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My friend and fellow ADFer, Victoria, had an excellent question for one of the ADF e-lists today.  Feeling secure in ADF’s scholarly approach, she was looking for a way to add enchantment and whimsy to her personal practice.  Somehow, the “magic” had fallen to the wayside through her reading and community building within ADF itself.

Druidism can be quite intellectual.  You spend a lot of time reading history, mythology, anthropology, maybe some philosophy, and science.  If you join a Druidic organization, you’ll probably find yourself writing to complete one of various study programs or to contribute to a publication.  If you’re lucky enough to attend a festival or grove gathering, you might find yourself sitting around a fire with other Druids, debating the nature of the cosmos.

Just don’t get too caught up in that!  Yes, the scholarly approach of Druidism is a huge draw to me.  Yes, it’s important as it provides us with a real grounding in our hearth cultures and the lessons of the past.   However, if you don’t balance it with some inspiration and some hands on experience, you’re likely to experience a sense of let-down, a disconnect from the spiritual, or, worse, the reputation as someone who is all talk and no walk!

For me, Druidism came alive when I started to experiment with Ian Corrigan’s Nine Moons system.  Although I have yet to finish it and plan to start again when life isn’t as crazy, it’s an approach that had me working with the spirits each day.  I didn’t feel so connected until I started to do that…  It demanded that I nurture my novice meditation and trance skills through practical experience and practice.  It got me making frequent, if not daily, offerings.  It had me spending hours in the forest…

And truly, you don’t need the Nine Moons system to do any of that!  You just need the self discipline to sit down, to quiet your mind, to make offerings, to express gratitude, and to go outside and just be…  listen…

Taking the time to sit outdoors truly opened up my senses.  The Nature Spirits, as they are, started to reveal themselves to me.  There are the flesh, blood, and bark beings we are used to.  We know they are there, but we can take them for granted.  I started to notice more, to experience more.  Bones began to appear; fungi I hadn’t ever noticed before revealed itself to me; I saw wild animals in person I had never encountered outside of a zoo.  It’s been a humbling, deeply gratifying experience to feel that I am forming a relationship with the land – especially after moving here and feeling like a bit of a stranger. And the unseen nature spirits…  they too make themselves known, but in subtle ways.  Sometimes terrifying ways as they are often mischievous.  You have to be ready for that, especially in the more wild places.  You have to work to maintain a level head – perhaps even listen and do when you are told to GO.  Perhaps make an offering to show kindness, or learn about the old protective charms and amulets…   And for goodness’ sake – take care of the Earth!  Pick up trash, join/support conservationist organizations (don’t overlook the local orgs that exist in your region!), plant trees, and advocate for the land you love.  It goes a long way towards empowering you, the land spirits, and your relationship with them.   Perhaps that doesn’t sound terribly spiritual, but such experiences can be transformative for Earth-centered Pagans – just ask Starhawk!  The journey is never done and I will always be learning – but I had to take the first steps!
Which brings me to a recent revelation.  ADF is my spiritual community.  I’ve found it difficult to relate well to most other Pagan groups because their approach isn’t as harmonious in scholarship and inspiration.  ADF groves are places I can go to comfortably worship the Old Gods in the way that feels most natural to me with others.  I love the chance to celebrate, grow, and socialize with ADFers.  And yet…  the greatest chunk of my spirituality, the greatest growth, has always been what I’ve experienced on my own at my altar or in the forest.  Whether or not you’re in a grove or even a bigger Druidic organization, you are always a solitary in some way.  And you must be! Only you can commune with the spirit realm on behalf of yourself. Are there others out there with more experience than you?  Yes, there always will be – it’s just a fact of life.  Perhaps they are better skilled to help you in some ways (a lot of spirit work appears to take years of experience), but if you want to grow in your own Druidism, you at least have to try and take the baby steps on your own.  Learn from others, heed the advice of those more experienced (provided they demonstrate integrity) – but don’t ever give up on your own.  If you have to take a step back for awhile, it’s never too late to come forward and pick it back up, review, and resume.

If you are like my friend, and are looking for the whimsy in Druidism, then I encourage you to go out and find it – or make it!  Embracing the magic of your hobbies is an excellent way to start.  Approach making meals as kitchen magic.  See sewing, crochet, spinning, painting, weaving, sculpting, leatherwork, smithcraft, dance, song writing, poetry, etc as the magical practices they already are!  Pray to an appropriate deity or spirit before beginning a hobby and always thank him/her/it for the help and inspiration!  Talk to your houseplants, view their care as part of a magical relationship, and thank them when you harvest.  Pray before eating, traveling, sleeping…  Yes!  Pray!  It’s not just for monotheists!

Finally, stop worrying so much.  Enchantment exists everywhere but you have to stop and see it – experience it!  Sometimes, as in forming bonds with the land, it takes time.  Others it’s right there to be had!  It’s as simple as brewing a cup of tea and whispering your words…  It’s as easy as pouring an offering in the light of the moon… It’s as electrifying as stepping beyond the hedge after sunset…  It’s as satisfying as dancing around a fire, even if that fire is only a little candle in your bedroom.  Put your anxiety aside, dress yourself with a smile, and dance like the wild child you always wanted to be!

Allow yourself to be enchanted!  The growth will come in time.

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Lemon blossoms fill my living room with a subtle but welcomed scent. Photo by Grey Catsidhe, 2013.

As I write this, the snow continues to sit outside and the temperature remains a little chilly.  And yet there’s change in the air!  Snow has been melting.  Earlier I heard the drip drip drip of melting ice from the roof. The sun rises earlier each day and, as a result, I feel less grouchy in the mornings.  I haven’t seen a robin yet, nor have I noticed anything sprouting outside, but I have noticed the growing buds on the cheery tree in front of my apartment.  Maple syrup producers are already hard at work tapping their trees and promoting festivals in the next few weeks.  Inside, my lemon tree is flowering again (not a huge deal as it does this periodically, but it’s enough to make me feel vernal giddiness).  Some of the potted herbs I brought inside before the winter are starting to show new life. In fact, I spent some time recently cutting away dead growth and plucking a few new leaves for my tea.  This will promote fuller growth later in the season.

I haven’t ordered seeds from the catalogs yet.  I’m hoping to soon, but I still worry it’s a bit early for most of the things I want to try.  I could easily start my sugar snap peas outside at the end of the month or early April, I think, but a lot of the other veggies I plan to grow can’t go out until after Memorial Day in late May.  I’m still working on my timing; it seems to be an art.  Start too soon, and you’ll have a ton of baby plants ready to be repotted but not enough room for that procedure until the temperatures go down.  Then you’ll have very skinny, spindly plants!  Start too late and that delays everything, possibly ruining your chances of a good harvest because the summer heat can really put a damper on some crops.

I did, however, plant garlic cloves before the winter.  I’m really curious if anything will come of them.  So far, the ground is too hard and icy to check.  Even the leaves I put over the planted garlic are too hard to fuss with.  More patience will be necessary.

Internally, I’m feeling more creative.  It’s just part of the spring energy, I think.  After the fuss brought on by winter holidays, my crafty side is usually burnt out.  Suddenly I’m feeling a greater urge to sew more.  Baby clothes are my project of choice, but I did recently start a doll – the first I’ve worked on in awhile.  I’m excited to see how it will turn out.

Wherever you are, take a few minutes to notice the signs of spring.  Even if you only find one, it will sure put a spring in your step!

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A view of the Gallery as we approached it. Photo by Grey Catsidhe, 2013.

I’m sure most couples who plan a babymoon look to warmer climates for a romantic getaway.  Not us.  Weretoad and I looked north and went to Ottawa, Ontario.  We so enjoy that city, and being winter-tolerant folk to begin with, it just felt right. (Not to mention it’s only a couple hours away which meant it was more affordable than a more exotic locale!)  I really wanted to visit the National Gallery of Canada.  In past visits, we’ve checked out the Canadian Museum of Nature, the Canadian Museum of Civilizations,  and the Bytown Museum as part of a very fun Haunted Walk.  Visiting the gallery felt right for a babymoon since I can’t see us visiting one with the babe until he or she grows up a little.

The Gallery was massive.  It took us a few hours to get through it all.  Some of the pieces were so-so or unimpressive, but I feel that is more likely the larger the space to fill.  There were plenty of beautiful examples.  My favorite pieces were usually landscapes (including one by a favorite artist of mine – Thomas Cole), some examples from Monet and Picasso, and work by a Canadian named Lawren Harris.  I think my favorite overall exhibits contained examples of Inuit art, Indian sculptures (including a beautiful Ganesha), and this ridiculously fun art installment by Martin Creed.  He filled a room with twenty thousand black balloons for people to walk around in!  It made me feel all at once childlike and scared at the same time.  The balloons were usually over my head and I kept worrying I’d lose my husband!

My absolute favorite painting was from the German Renaissance by someone named Lucas (the Elder) Cranach.  Simply titled “Venus,” it is the typical portrait of the Goddess in nude.  What struck me about the piece was its simplicity.  The background is all black – it is simply the Roman Goddess of love and beauty, naked save a necklace and a bit of delicate, gauzy fabric.  While she is certainly beautiful by today’s standards, she is also not the supermodel of our times.  Her breasts are small and she has a bit of a double chin!  And yet…  she is such a strikingly beautiful figure despite that.   Normally, Venus is a Goddess I keep a wide berth of.  I don’t work with Roman deities to begin with, and her Greek counterpart’s lore makes me a little uncomfortable.  And yet this time, before the almost life-size image, I felt at ease, welcomed, and in a sort of fellowship.  She seemed to say, with her strong gaze and soft smile, “be confident for you are beautiful too!”  It is very easy to feel less than sexy when you’re bulging with baby weight, and I suffer from bouts of negative body-image to begin with.  I mentally thanked and praised her. I found a postcard version at the gift shop and bought it.  It’s now framed on my dresser to remind me of that confidence.

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Birthing from Within: An Extra-Ordinary Guide to Childbirth Preparation: Pam England, Rob Horowitz: 9780965987301: Amazon.com: Books.

Back in December, my dear friend Daughter RavynStar sent me Birthing From Within by England and Horowitz as a Winter Solstice gift.  Knowing that she got a lot out of it from her two births, and that we share similar values, I delved into it right away.  It was a difficult book to put down!

When you become pregnant, your reading list is filled with suggestions – most of them about the medical side of birth, and usually focusing on the developing baby.  While those aspects are very important, Birthing From Within takes a different perspective and examines the physical, emotional, and spiritual journey of the mother.  Any medical aspects (such as the differences between midwives and OBGYNs, the pros and cons of drugs during pregnancy, the realities of cesarean births, good diet, complications) are handled in a way that empowers the mother.  I never once felt talked down to.  The authors are honest – sometimes you have to change your plans, for example, for the sake of your survival and the baby’s – but they do so without judgement.  Although the authors are clearly fans of natural birth (especially in the home), they emphasize that 1) everyone has a right to make their own, educated decision and that must be respected, 2) a woman knows her own comfort levels better than anyone, and 3) women should not feel guilty because of something they were cohered into or forced into because of outside influence.  Sometimes there are birth complications and our “plan” must change.  One thing that really stood out to me was the author’s belief that forming a birth plan will set you up for disappointment.  It’s important to know what you want and why, and this book definitely informed me so that I feel better able to speak up and out against anything unnecessary, but the authors warn that if you cling too closely to an idea you may be in for depression and guilt afterwards.  They instead preach a balance between advocating for a desired birth scenario and accepting that which cannot be changed if everything else fails.  In short, “You can have a fantasy or birth plan, the hospital has its ideas, but Mother Nature may surprise all of you” (97).  That said, the authors were very clear about the differences between pushing drugs to make pain, a necessary part of birth, go away, and pain killers prior to a cesarian birth due to a legitimate complication.

Some of the tenants of “Birthing From Within” can be gleaned from this short overview.

One of the more unique aspects of this book is Pam England’s work with parents on “birthart.”  It’s a very therapeutic approach that forces you and your birth partner to explore the spiritual and emotional side of pregnancy and parenthood.  The book is filled with poignant examples, providing a deeply intimate window into other parents’ hopes, fears, regrets, and joys.  I suddenly felt relieved at the range of emotions I was feeling – including fear which is natural.  Birthing From Within includes several suggested activities for you to try on your own, with other expectant mothers, or with your partner.  Weretoad and I tried some birthart – something he resisted at first.  In the end, we created pieces that shared some of our feelings and brought us closer together.  It’s definitely an exercise I would like to repeat as we near delivery.

Other exercises are intended to prepare women and their partners for pain management naturally.  Many are meditative, and some actually include introducing an uncomfortable stimulus that you have to deal with for the length of a contraction (an ice cube).  The authors are quick to explain that nothing can fully prepare you for the pain of childbirth, but it is important to come to terms with pain prior to the experience.  They argue that childbirth pain is necessary because it tells your body what to do – how to move, how to vocalize, when to push.

Nature’s blueprint for women giving birth includes pain, and this pain is purposeful.  Pain is experienced when stretch receptors in the dilating cervix send signals to your brain, calling for more oxytocin to be released – which in turn fuels labor and increases dilation.  The sensations … are part of an ingenious feedback mechanism which is essential for normal labor and birth” (240).

It’s impossible to say what I will do in the end.  This feedback look doesn’t always work, for example.   Even under normal circumstances, the temptation could be very great, but I am confident my husband will help be stick to my guns unless an epidural becomes absolutely necessary.  And if that becomes the case, I will have to accept it with grace.  That said, this book and the documentary “The Business of Being Born” have helped me become more aware of the negative side effects of using epidurals and pitocin – negative side effects on the mother and the child.  (Definitely watch the documentary on Netflix.  In addition to learning about the history of midwifery and obstetrics, you’ll learn more about natural birth and the negative side effects of drugs on labor.  One of the best and most compelling parts is seeing and hearing real natural births.  When all you’ve ever seen is Hollywood hospital births, it’s eyeopening, inspiring, strengthening, and beautiful.)

I recommend this book to anyone having a baby or trying to conceive.  There is plenty in here for new mothers, mothers who are having another child, as well as fathers.  Pagan readers will be delighted at the spiritual approach, particularly at the author’s emphasis on birth as a rite of passage for baby and parents, one worthy of ritual and deep meditation.  I am now convinced that I want some sort of Mother Blessing ceremony at my baby shower.  It’s also hard not to smile at the Goddess imagery placed throughout the book.  Birthing From Within has made me very proud of my ancestral mothers, my living mother, and what my own body is capable of.  This remains the most empowering pregnancy book I’ve read and has helped me form a deeper connection with my inner feminine energy.

Are you having a baby?

Get.  This.  Book.

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I had a girls’ day out today with my friend Miss Corinne of A Green(ish) Life.  I’d not seen her since New Year’s Eve, so it was really nice to catch up in person.  FB is no replacement for a true social-outing!  She’s involved with conservation efforts in the Thousand Islands Land Trust, and therefore keeps me up to speed with different events in the area related to outdoors activities and environmentalism.  On the agenda today was a lecture about winter photography by Vici Zaremba and Steve Diehl at the Minna Anthony Common Nature Center on the lovely Wellesley Island.  I’m no photographer – my husband knows more about our cameras than I do – but I’ve felt drawn to learn more about nature photography.  Their focus was on winter photography, and they shared slides of some beautiful examples.  Some that really stood out to me and captured my imagination featured ice.  Often, the photographers confessed they’d taken the photos in ditches, but you’d never known.  The examples were so beautiful and focused in on the way the ice captured ripples around reeds.  There were also some lovely shots of ice on rocks and thin sheets just barely obscuring decaying oak leaves in a stream or pond.

One of the big take aways from the event was their focus on conservation.  They spoke at length about their efforts with the Indian River Lakes Conservancy, a local organization that works to preserve land, educate, and provide recreational activities to the public.  I learned a lot about the biological importance of my beautiful home.  I can’t wait to further explore it and share it with the little one.

The lecture pleased this Druid in training because, not only was it a blend of art and environmentalism, but the photographers really emphasized natural awareness.  They shared their process and admitted to photographing the same little spot for hours and hours, or waiting outside for lengths of time until the lighting or wind were just the way they wanted.  Photographing the land around them, they have come to know many different plants and creatures – some I had never heard of before!  They made Northern NY sound a bit like the Amazon to me with their talk of newly discovered and rare species.  It’s all quite exciting!  Some of the photos they shared demonstrated their growing ever closer and more aware to just a small corner of the world.  First a normal shot, then closer, then closer still thanks to their amazing lenses.  Their perspective of nature has become very intimate because of the time spent in it, visually meditating on its shapes and colors.  They studied decaying leaves, ice bubbles, and snow drifts in loving detail.

It really inspired me to look closer.  In the winter, especially, we can forget about that.  The green world has mostly gone to sleep, and so the landscape seems very monochrome and bare of the interesting details we all celebrate in the warmer half of the year – the spiral of a young fern, the color and texture of moss on a log, the soft ridges on a fungi…  And yet winter is also full of its own beauty and intricacy.  When I returned home, the first thing I noticed upon exiting my car was a sheet of black ice, cracking and full of lace-like patterns.  I wish I had had a good camera with me at the time. And a macro lens.  And a tripod.

As we learn to grow in appreciation and awareness of the natural world, we Druids could learn a lot from photography – their methods, their aesthetics, and their zen-like patience.  Even without a camera, why not take an hour or two to explore and appreciate the simple beauty all around us?

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A photo of our Imbolc altar by Weretoad, 2013.

Northern Rivers Protogrove, ADF | Bringing the Ár nDraíocht Féin tradition to Northern NY.

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Cros Bríde of lavender and needled felted sheep on my seasonal altar.  Photo and pieces by Grey Catsidhe, 2013.

I was feeling very inspired today, both by a project I had been meaning to try and discussion of Brighid crosses on a FB group for local Pagans.

A needle felted sheep.  Photo and piece by Grey Catsidhe, 2013.

When I started to brainstorm how to decorate my seasonal altar, a needle felted sheep immediately came to mind.  Felting has become a little hobby of mine.  I don’t do it as often as I sew or crochet/knit, but I do enjoy playing with my wool roving.  I love how very free-form the art can be.  This seemed like a fun project to take on.  I don’t think it’s too bad for my first.  It fits well on an Imbolc altar because of Brighid’s association with sheep and household crafts.

Lavender Brighid Cross.  Piece and photo by Grey Catsidhe, 2013.

I’ve been thinking about what to use for Brighid crosses this year.  In Muin Mound, we always used wheat.  Well, I don’t know any wheat farmers.  I’ve thought about gathering old grass from the hedge, but then I recalled the lavender I have.  Having been dried, it was too brittle to use without a good soak in warm water for 20-30 minutes.  Then it was very pliable and made my work station smell divine!  It felt meditative to make it.  My skill at making the crosses isn’t as good as others, but this is the best one I’ve made yet!  I’m still not 100% sure what to do with the Druid Study Group.  Soaking dried grasses or herbs seems a very messy process in a place we don’t own.  Pipe cleaners were suggested, but now I’m leaning towards raffia as it’s more natural.  We shall see!

May the inspiration of Brighid herself flow into you as you prepare for her feast day!

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